Ambitious knitting projects and rhinestones

When I lived in Baton Rouge, I worked with some folks who performed in drag. I, of course, became friends with them. I started knitting back then in order to develop a meditative habit. What I ended up getting was a full blown obsession with collecting kitting and crocheting patterns, a bunch of scarves, even more unfinished projects, and a couple of impressive projects for other people. I even sold a couple of pieces until a coworker who commissioned a scarf for her son went a little psycho on me when I gave her the final bill. That was enough to cure me of selling my homemade goods for a good long time. Well, when I started knitting, one of my friends who did drag asked me if I would knit him a dress, just a simple tube dress with straps. Because I am certifiable, I agreed. You see, I used to dive in when I learned how to do something new. I am surprised I didn't start out making lace shawls. The dress wasn't so hard, after all. Just very time consuming. I even made a hat for him, my first. That was such a hit, I made my other two friends who did drag hats in their favorite two colors. I wish I still had the pattern. I'd actually like one of those hats now.

When I was digging around for art journal fodder, I found the sketch Wes and I made of the plans for his dress. I threw it into one of the eclectic altered journals I mentioned in a previous post. (You really should take Christy's class. It really is fun!) I commemorated it with this journal page.

The stool is there because of a photo I once took in the "drag closet," the dressing room at the bar. His falsies were sitting on the chair and it struck me as humorous. I left them out, thinking I should be classier than that.

Wes now lives in San Francisco, a thriving costume designer. He making quite a name for himself, not that I am surprised. He used to design his own costumes, and some of the ones for his fellow drag queens and drag king. Some were quite elaborate, like the Titanic dress he used to perform My Heart Will Go On. He would dance around the stage, and during the climax of the song, he would collide with a large cardboard cutout of an iceberg. It was awesome! He also did a Scarlet O'Hara ruffle dress that rolled out into a giant rainbow flag. Today, he worked with Colleen Atwood, who designed costumes for Big Fish, Tim Burton's Alice in Wonderland, Chicago, Edward Scissorhands, Memoirs of a Geisha, and I could go on. She has been nominated for 10 Oscars and won 3. Her work is extremely imaginative. I would be thrilled if this gives Wes some bigger opportunities.  So this page is dedicated to my dear, sweet, audacious, supremely talented friend Wes.